strokes

Went to see The Strokes last night at the Gypsy Tea Room with Karen — fun show. The lead singer, the magnificently named Julian Casablancas, had all the charisma of a doorstop, and they didn’t play very long. But then again, that’s to be expected when they’ve got only one 35-minute-long album out.
They played just about everything off Is This It?, along with “NYC Cops,” the song that appears on the vinyl issue but got pulled off the CD after 9/11. (I suppose the timing wasn’t right for a song whose chorus goes “New York City cops / they ain’t too smart.”) The whole band is 22 or younger (damn I feel old), and their songs have a sort of youthful exuberance that works well with their world-weary, Lou Reed posing. And every song has a point of ignition, a moment when the guitars reach back and unleash a little hell. Much fun was had by all.
Talk about a charisma contrast: the Moldy Peaches opened, and I can say with confidence that, of all bands I’ve seen whose female lead singer wears cat makeup, they’re the best. With lyrics like “postmodernist throwing darts / hit a bullseye cut a fart,” how can you go wrong? (Not to mention Carrottop sitting in on lead guitar and a bassist in Spiderman Underoos.) It’s Ween-meets-Sonic Youth, and lots of fun, at least in small doses.

5 thoughts on “strokes”

  1. The twosome (the bands, not you two, obviously) were in Austin last night. And it struck me that the Strokes set was relatively short. I wasn’t close enough to see the cat makeup on the Moldy Peaches singer, but the “Thundercats Ho” thing now makes even more sense.

  2. Are you saying “Thundercats Ho” didn’t make sense before? That’s got to be the most sensible song ever sung. 🙂

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